Selasa, 26 Juli 2011

[X413.Ebook] Download BEST STORIES OF WILLIAM SAROYAN: Seventy Thousand Assyrians; The Daring Young Man on the Flying Trapeze; London Ah London; Our Friends the

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BEST STORIES OF WILLIAM SAROYAN: Seventy Thousand Assyrians; The Daring Young Man on the Flying Trapeze; London Ah London; Our Friends the

  • Sales Rank: #6358492 in Books
  • Published on: 1964
  • Binding: Paperback

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Selasa, 19 Juli 2011

[B621.Ebook] Ebook The Word Made Flesh: Literary Tattoos from Bookworms Worldwide, by Eva Talmadge, Justin Taylor

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The Word Made Flesh: Literary Tattoos from Bookworms Worldwide, by Eva Talmadge, Justin Taylor

A beautifully packaged full-color collection of literary tattoos and short personal essays, The Word Made Flesh is an intimate but anonymous confessional book, in the vein of thought-provoking anthologies like PostSecret and Not Quite What I Was Planning. Gorgeous photographs and candid commentary are collected by authors Eva Talmadge—whose short story “The Cranes” was cited as Notable Nonrequired Reading of 2008 in Dave Eggers’ Best American Nonrequired Reading 2009—and Justin Taylor, author of Everything Here Is the Best Thing Ever, and editor of the acclaimed short fiction anthology, The Apocalypse Reader.

  • Sales Rank: #609168 in Books
  • Published on: 2010-10-12
  • Released on: 2010-10-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .39" w x 7.00" l, .72 pounds
  • Binding: Paperback
  • 192 pages

From the Back Cover

The Word Made Flesh: Literary Tattoos from Bookworms Worldwide is a guide to the emerging subculture of literary tattoos—a collection of more than 150 full-color photographs of human epidermis indelibly adorned with quotations and illustrations from Dickinson to Pynchon, from Shakespeare to Plath. With beloved lines of verse, literary portraits, and illustrations—and statements from the bearers on their tattoos' history and the personal significance of the chosen literary work—The Word Made Flesh is part collection of photographs and part literary anthology written on skin.

About the Author

Eva Talmadge's fiction has appeared in The New York Tyrant, The Agriculture Reader, New Orleans Review, and Subtropics, among other publications. Her short story "The Cranes" was cited as Notable Nonrequired Reading in Best American Nonrequired Reading 2009 (Dave Eggers, ed.).



Justin Taylor is the author of the story collection Everything Here Is the Best Thing Ever and the novel The Gospel of Anarchy. He lives in New York City.

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0 of 0 people found the following review helpful.
Easy, Enjoyable and Beautiful - Perfect for the Hopeless Romantic
By Todd Buster Paris
Conceptually, I LOVE the idea of this book. Pre-ordering it I had those butterflies in my stomach and couldn't wait to get it. It did NOT disappoint.

For tattoo fans, this book has some nice pictures and more importantly, very interesting stories about tattoos inspired by literature. For you fans of literary works, this will absolutely be thrilling, entertaining and fun to see ... well ... to see the words made flesh.

This is a great book for the hopeless romantic, the tattoo enthusiast, and/or for the literary buff - as well as anyone who enjoys asking the question, or giving the answer to: "nice tattoo, what's it mean to you? why'd you get it?"

If you're on the fence and wondering if you should buy it, let me point 3 things:
(1) For the price, it's an absolute no brainer. Buy it
(2) No matter what the price, it's a no brainer. Buy it.
(3) The reason that you're even considering buying this book is why you should buy this book.

1 of 1 people found the following review helpful.
Not enough tattoos
By Deborah Merritt
The literary world is vast. People with tattoos are extremely numerous. I was hoping this book would be a plethora of examples of how these two worlds collide. I was disappointed that it was so short and there weren't that many tattoo examples. I bought this as a Kindle book, which was fine for viewing the pictures. I suggest going to a book store and taking 5-10 minutes to go through the whole book and be done with it.

2 of 2 people found the following review helpful.
Beautiful cover, Wonderful concept
By Unole
I loved the idea of this book and the cover really sold me on purchasing this as a gift for a friend's birthday. While I have not read the book in it's entirety, I did flip through each page to see the tattoos. Each page layout is very unique but the quality of tattoos featured didn't really strike me as worthy of print. The visual artistry didn't exactly live up to the ideals behind the tattoo concepts to me but "Beauty is in the eye of the Beholder" I guess.

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Senin, 11 Juli 2011

[T245.Ebook] PDF Ebook The Tragedy of Great Power Politics (Updated Edition), by John J. Mearsheimer

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The Tragedy of Great Power Politics (Updated Edition), by John J. Mearsheimer

"A superb book.…Mearsheimer has made a significant contribution to our understanding of the behavior of great powers."―Barry R. Posen, The National Interest

The updated edition of this classic treatise on the behavior of great powers takes a penetrating look at the question likely to dominate international relations in the twenty-first century: Can China rise peacefully? In clear, eloquent prose, John Mearsheimer explains why the answer is no: a rising China will seek to dominate Asia, while the United States, determined to remain the world's sole regional hegemon, will go to great lengths to prevent that from happening. The tragedy of great power politics is inescapable.

  • Sales Rank: #27936 in Books
  • Brand: Mearsheimer, John J.
  • Published on: 2014-04-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x 1.30" w x 6.20" l, 1.42 pounds
  • Binding: Paperback
  • 592 pages

Amazon.com Review
This hardheaded book about international relations contains no comforting bromides about "peace dividends" or "the family of nations." Instead, University of Chicago professor John J. Mearsheimer posits an almost Darwinian state of affairs: "The great powers seek to maximize their share of world power" because "having dominant power is the best means to ensure one's own survival." Mearsheimer comes from the realist school of statecraft--he calls his own brand of thinking "offensive realism"--and he warns repeatedly against putting too much faith in the goodwill of other countries. "The sad fact is that international politics has always been a ruthless and dangerous business," he writes. Much of the book is an attempt to show how the diplomatic and military history of the last two centuries supports his ideas. Toward the end of The Tragedy of Great Power Politics, he applies his theories to the current scene: "I believe that the existing power structures in Europe in Northeast Asia are not sustainable through 2020." Mearsheimer is especially critical of America's policy of engagement with China; he thinks that trying to make China wealthy and democratic will only make it a stronger rival. This is a controversial idea, but it is ably argued and difficult to ignore. --John Miller

From Publishers Weekly
The central tenet of the political theory called "offensive realism" is that each state seeks to ensure its survival by maximizing its share of world power. Mearsheimer, professor of political science at the University of Chicago, sets out to explain, defend and validate offensive realism as the only theory to account for how states actually behave. He proceeds by laying out the theory and its assumptions, then extensively tests the theory against the historical record since the Age of Napoleon. He finds plenty of evidence of what the theory predicts that states seek regional dominance through military strength. Further, whenever a condition of "unbalanced multipolarity" exists (i.e., when three or more states compete in a region, and one of them has the potential to dominate the others), the likelihood of war rises dramatically. If history validates offensive realism, then the theory should yield predictions about the future of world politics and the chances of renewed global conflict. Here Mearsheimer ventures into controversial terrain. Far from seeing the end of the Cold War as ushering in an age of peace and cooperation, the author believes the next 20 years have a high potential for war. China emerges as the most destabilizing force, and the author urges the U.S. to do all it can to retard China's economic growth. Since offensive realism is an academic movement, readers will expect some jargon ("buckpassing," "hegemon"), but the terms are defined and the language is accessible. This book will appeal to all devotees of political science, and especially to partisans of the "tough-minded" (in William James's sense) approach to history. Maps.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal
Mearsheimer (political science, Univ. of Chicago), an articulate spokesman for the realist school of international politics, here serves up a theory dubbed "offensive realism." Because of the anarchic structure of the international system, he contends, the great powers compete perpetually to become the "hegemon," or dominant state in the world and thus to obtain that elusive quantity called security. Theories of the "democratic peace" have no place in this gloomy world, and the internal makeup of a state has little bearing on its international behavior. Readers of an idealist bent will be distressed to discover that America's grand endeavors of the 20th century the world wars and the Cold War sprang not from altruism but from amoral calculations of power. And the future will be no different: China and the United States are fated to become adversaries as Chinese power waxes, regardless of whether the Asian behemoth evolves in an authoritarian or a more benign direction. One of the finest works of the realist school, this belongs in all academic collections. James R. Holmes, Ph.D. candidate, Fletcher Sch. of Law and Diplomacy, Tufts Univ., Medford, MA
Copyright 2001 Reed Business Information, Inc.

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91 of 104 people found the following review helpful.
Destined to Become the Standard Realist Text
By Eric Gartman
Those of us who are familiar with John Mearsheimers' illuminating and provocative work have been waiting quite a few years for him to put all his thoughts together in one coherent and all-encompassing book. The wait is finally over, and the result does not disappoint. Mearsheimer has written what is sure to be the standard text for the Realist paradigm for years to come. It is clear that he is in fact trying to place himself in the Realist cannon as the logical successor to Morgenthau and Waltz. Whereas Morgenthau could not explain why states are driven to be as aggressive as they are, and Waltz's Defensive Realism did not adequately describe the constant struggle for power among states, Mearsheimer's Offensive Realism claims to explain both. States are aggressive due to the anarchic nature of the state system, which leads them to not only seek to ensure their survival, but to also try to acquire power at every opportunity possible.
Mearsheimer's lengthy volume is divided roughly into two parts. The first half is the theoretical section, in which he presents his Offensive Realist theory in detail, along with an explanation of how to measure state power (population and wealth). Also included in this part is an entire chapter called "The Primacy of Land Power," in which he not only tries to explain why land power is the most important, but also goes into the limits of sea and air power, and the limited effectiveness of blockades and strategic bombing campaigns. It is somewhat surprising that these issues have generally been overlooked by IR theorists until now. Hopefully that will no longer be the case. The second half of the book is more empirical, including the histories of all the recent Great Powers, focusing on why and how they have been aggressive in their foreign affairs. Also included are chapter on the "Offshore Balancers" (UK and US), alliance behavior, and the origins of major wars.
Critics of this book are likely to be the usual assortment of Liberals, post-Modernists, Critical Theorists, and other Realists. But Mearsheimer has not only created the most coherent Realist theory yet, he has also solved some of the major contradictions within the Realist paradigm as well. It is a stunning accomplishment, and this is a book to be read by the general reader and seasoned IR Theorist alike. Indeed, Mearsheimer has written it in a style that is accessible to all, but with generous footnotes for those interested in more details. If you only read one book on International Relations in your life, let this be the one! It will explain more of the world around you than you would think possible.

49 of 56 people found the following review helpful.
Mearsheimer Takes the Offensive
By A Customer
Before any reader digs into Mearsheimer's tome, they should be aware of two things: First, the book is a study of GREAT POWER politics (which is why one should not expect the U.S.-led war against minor power Iraq or the terrorist attacks of 9/11 to be accounted for; nor should they be cite these as examples of what the book lacks). Second, the book is not an international politics primer. Rather it is the most advanced presentation of the theory of offensive realism. Mearsheimer is the theory's leading proponent, and his book is not meant to be a balanced debate between realism and international liberalism, constructivism, etc.
That said, Mearsheimer's book is well-written and essential reading if one wishes to have a balanced view of international relations. The "Tragedy" of great power politics occurs when the power-maximization that nations pursue (which is almost mandated under international anarchy) leads to awesomely destructive hegemonic wars. Mearsheimer shatters the rhetoric surrounding great wars, reducing them to the basic elements of power. His theory is backed up by historical example, making for compelling reading. In addition, Mearsheimer looks to history and applies offensive realism in predicting that China will continue its rise and potentially challenge U.S. power in the near future.
Many will not agree with Mearsheimer's theory (this is the man, after all, who called for the nuclearization of Germany after the Cold War and pronounced NATO dead over a decade ago) but he is the leading Realist mind and strongest Realist voice in the IR community today. Love it or hate it, offensive realism does not get any more lucid than this.

28 of 33 people found the following review helpful.
Clearest Articulation of Offensive Realism
By marshak
First off, the book is very easy to get through - the primary theoretical points are clearly laid out and easy to understand, the selected empirical evidence is interesting, and the style is fluid and coherent. This is the strength of realist theory - clarity of thought, and results in a much more enjoyable read than something by a radical-constructivist or critical theorist. The disagreement over theory is clear from the wide range of ratings in the reviews, but I'd like to briefly cover some of the issues brought up by other reviewers.

Offensive realism, as posited by Mearsheimer is NOT a rehash of Waltz's structural realism but rather adds some important new elements to realist theory. As a result, it is still susceptible to some of the critiques of realist theory in general but also adds new theoretical problems.

Mearsheimer uses Waltz' assumptions on the anarchic nature of the international system and its implication for state behaviour but goes in a very different direction. Using the same assumptions, Waltz believes great powers will essentially be status-quo and defensive while Mearsheimer believes they will be revisionist and aggressive power-maximizers. Mearsheimer thus can avoid the argument against Waltz's defensive realist theory that it leaves no room for transformation of the international system. The potential for conflict is a direct result of the distribution of power in the anarchic system.

The assumptions used by both are by no means "given" and disagreement over them has come from liberal institutionalists, the English School, and the various subsets of constructivist theory. Whether state interests and identities are exogenous or endogenous, and whether there is any room for interests to be shaped by domestic politics, culture, ideology, or institutions is the primary diagreement. Realism says there are only structural variables.

If you think you're a realist, you might want to take note that no prominent realists supported the Iraq War. Realists would also pay no attention to the government of China - a hegemonic democratic China is as dangerous as a hegemonic authoritarian China. Also, the environment and potential for conflict in Europe is the same as in Asia - NATO and the EU, as institutions, are merely tools for great powers to position themselves in hegemonic struggle(this might be included because Mearsheimer said NATO was to be disbanded shortly after the end of the Cold War and needs to find a reason why it is still around). Ideational factors simply have no place in the theory.

Returning to Mearsheimer, he adds another variable to his theory, the impact of geopolitics on state interest. So not only does the distribution of power affect the potential for conflict, geographical factors also play a role. This complicates matters because no longer is there a single variable that can be used to determine causality, and it might be seen as a theoretical crutch. The US and UK both are exceptions to the rule that great powers expand aggressively. Some would say it is because they are liberal democracies, but Mearsheimer argues that it is because they are "offshore balancers", insular states that find it difficult to project power but also derive security from this. An exception to that exception is Japan in WWII, which Mearsheimer explains didn't have a lot of resistance and so couldn't help itself.

Another reviewer wrote of the unverifiability of Mearsheimer's theory. I think that the two variables and the stipulations he puts on power-maximization do make the theory a bit "slippery". Mearsheimer concludes the book by saying that, "Of course, states occasionally ignore the anarchic world in which they operate, choosing instead to pursue strategies that contradict balance-of-power logic." This is a contradiction of the book and realist theory in general. States shouldn't be able to choose how they behave but should be bound by the structure of the system (and geopolitics in Mearsheimer's version) to behave in a certain manner (offensively or defensively according to Mearsheimer or Waltz, respectively).

There are too many exceptions and stipulations to Mearsheimer's rule to make it particularly useful. Whereas the strength of Waltz's theory is its simplicity, Mearsheimer believes he combines theoretical simplicity with policy applicability. He succeeds in neither. Nevertheless, the book is the clearest articulation of offensive realism. Perhaps more comprehensive reading would be Mearsheimer's article on international institutions in International Security Winter 1994/1995, followed by responses from John Ruggie, Robert Keohane, Alexander Wendt, and the Kupchans, and a concluding reply by Mearsheimer.

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[Y729.Ebook] PDF Download Producing Video Podcasts: A Guide for Media Professionals, by Richard Harrington, Mark Weiser

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Producing Video Podcasts: A Guide for Media Professionals, by Richard Harrington, Mark Weiser

Producing Video Podcasts: A Guide for Media Professionals, by Richard Harrington, Mark Weiser



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Producing Video Podcasts: A Guide for Media Professionals, by Richard Harrington, Mark Weiser

Put the video podcast medium to work for you and your clients with a winning formula. Know how video podcasts work and every facet of what it takes to produce a professional-quality program that will meet every criterion for success. The authors are seasoned video production pros that have been on the crest of the video podcasting wave as it has risen. With over 2500 episodes produced, they can reveal what works and what doesn't with detailed, illustrated guidance. You get the nuts and bolts of the complete process, including:

* Preproduction: budgeting guidelines, mapping your production, and working with talent
* Production: the ENG shooting style, lighting values and portability, sound, essential camera features, acquisition formats, and gear lists
* Postproduction: resources for adding music and images, motion graphics, and editing techniques
* Delivery: cost-effective hosting options, creating RSS feeds, compression, and hosting processes
* Promotion: choosing directories, promoting your program, and monetizing your podcast

Instruction and case studies go in-depth on issues unique to the podcast medium. A full-color presentation delivers tangible, inspiring examples of creative video podcasts. The companion website-www.VidPodcaster.com-provides a blog, templates, planning documents, sample clips, and state-of-the-art updates.

  • Sales Rank: #1295882 in Books
  • Published on: 2008-03-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x 7.00" w x .75" l, 1.39 pounds
  • Binding: Paperback
  • 256 pages

Review
This guide is full of solid information from people who know online video and are in the trenches doing it. It's a must read for anyone who wants to produce professional video podcasts. - Jason Van Orden, podcasting consultant and author of Promoting Your Podcast


.required reading..Starting with a clear analysis of the nature and business of podcasting it covers the essentials of production and finishes with the all-important topics of delivery, RSS feeds, publishing, and hosting. - Tom Wolsky, vp editorial, National Podcasting System, www.nationalpod.com


WOW, the accumulated knowledge from 1000's of hours of planning, production, post and delivery essentials delivered in a simple, concise fashion.a professional resource manual that needs to be a part of every video production library.- Gary Adcock, digital artist and technology trainer


.not just a book about Podcasting, but a full primer on professional audio and video production and digital publishing that is lavishly illustrated and full of practical tips. - Philip Hodgetts, president and ceo, Open Television Network openTVnetwork.com

From the Back Cover
This guide is full of solid information from people who know online video and are in the trenches doing it. It's a must read for anyone who wants to produce professional video podcasts.
- Jason Van Orden, podcasting consultant and author of Promoting Your Podcast


...required reading...Starting with a clear analysis of the nature and business of podcasting it covers the essentials of production and finishes with the all-important topics of delivery, RSS feeds, publishing, and hosting.
- Tom Wolsky, vp editorial, National Podcasting System, www.nationalpod.com


WOW, the accumulated knowledge from thousands of hours of planning, production, post and delivery essentials delivered in a simple, concise fashion.a professional resource manual that needs to be a part of every video production library.
- Gary Adcock, digital artist and technology trainer


...not just a book about Podcasting, but a full primer on professional audio and video production and digital publishing that is lavishly illustrated and full of practical tips.
- Philip Hodgetts, president and ceo, Open Television Network, openTVnetwork.com

Put the video podcast medium to work for you and your clients with a winning formula. Know how video podcasts work and every facet of what it takes to produce a professional-quality program that will meet every criterion for success. The authors are seasoned video production pros that have been on the crest of the video podcasting wave as it has risen. With over 2500 episodes produced, they can reveal what works and what doesn't with detailed, illustrated guidance. You get the nuts and bolts of the complete process, including:
* Preproduction: budgeting guidelines, mapping your production, and working with talent
* Production: the ENG shooting style, lighting values and portability, sound, essential camera features, acquisition formats, and gear lists
* Postproduction: resources for adding music and images, motion graphics, and editing techniques
* Delivery: cost-effective hosting options, creating RSS feeds, compression, and hosting processes
* Promotion: choosing directories, promoting your program, and monetizing your podcast

Instruction and case studies go in-depth on issues unique to the podcast medium. A full-color presentation delivers tangible, inspiring examples of creative video podcasts. The companion website-www.VidPodcaster.com-provides a blog, templates, planning documents, sample clips, and state-of-the-art updates.

Richard Harrington is a certified instructor for Adobe, Apple, and Avid, and a member of the National Association of Photoshop Professionals Instructor Dream Team. He is a popular trainer, podcaster, and prolific author, with 11 books and articles in DV, Photoshop User, and Layers magazine to his credit.

Mark Weiser is vice president of operations for RHED Pixel. Named to AV Multimedia Producer's list of top producers, Mark has been a featured speaker at DV Expo and the NAB conferences.

RHED Pixel (www.RHEDPixel.com) is a visual communications consultancy that is co-owned by the principal authors. Video and multimedia projects produced include over 2,500 video podcasts for clients that include Microsoft, Apple, and Google.

About the Author
A digital video expert and a trained business professional, Rich understands both the creative and management sides of the visual communications industry. He's held such diverse jobs as directing newscasts and publishing music magazines, to managing a production department and consulting non-profit agencies. Rich graduated from Drake University School of Journalism with dual degrees in Broadcast News and Radio-Television Production. He also holds a master's degree in Project Management from Keller Graduate School of Management.
Mark merges creative talents with bottom-line realism. With extensive experience as both a videographer and producer, Mark knows how to maximize budgets, locations, and production opportunities. Mark holds a B.A. from the College of William and Mary and a Masters in Communications with a concentration in Film and Video from the American University.

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4 of 4 people found the following review helpful.
Very easy to read and very informative
By Mark Carrara
I normally don't write reviews, but after meeting the author at a recent conference, I felt I had to spread the word. This is one of the best books on technology I have read in a while, and I read a lot of tech books for my job. If you know technology but need the video part it works, if you know video and need the technology part, it works, if you need both it works. The book just works. I have been following Richard's podcasts for a couple years, but have never read any of his books, my loss. If you are interested in video podcasting, this is the book for you. My only warning would be make sure you are interested in podcasting and not streaming. There is a huge difference and this book shows you the difference, then teaches you podcasting.

1 of 1 people found the following review helpful.
A Complete Handbook on Video Podcasting
By Yvonne Perry
A writer friend asked me to take a look at Producing Video Podcasts A Guide for Media Professionals by Richard Harrington and Mark Weiser. As an audio podcaster for two years, he knew I would have an interest in seeing what could be done with video to produce a show. Understanding my desire for quality in any avenue, he knew I would want to do it the very best and most professional way. This book is THE tool for such a purpose.

The authors give good definitions of industry terms that might not be familiar to a novice podcaster. The book covers a wide variety of features and gives step-by-step instruction on using the latest and ever-evolving technology and equipment, but it also discusses the business side of podcasting such as budget, hosting, publishing, and monetizing the show.

You'll be able to understand your audience and how to approach them after reading Producing Video Podcasts. The book is careful to keep beginning podcasters out of trouble with the copyright police by making sure the reader understands what music is safe for use on podcasts and where to obtain such material.

No book on videography would be complete without some information on RSS feed, YouTube, setting up cameras and microphones for filming, how to edit, and understanding HDV (high-definition video) standard sizes and frame rates. This book covers all that and much more. Filled with graphics, samples, tips, and photos, this is the complete handbook on preproduction, production, postproduction, delivery, and promotion of a professional video podcast.

2 of 3 people found the following review helpful.
Awesome Resource
By lp
If you are interested in Video Podcasting as a Professional, then this is the resource for you. The book is a treasure trove of knowledge with a great support web site as well providing you additional information, forms and tips that any video podcaster will find useful. If you have never done a video podcast from beginning to end, you will be shocked at the details and the steps required to do this properly. Richard and Mark have put a lot of detail in their book and what has been great for me is that when I ran in to a problem on the book's website, Richard responded to me very quickly and helped me with my problem. I would completely recommend this book to anyone currently doing video podcasts or simply interested in the process. If you are looking to do video podcasts professionally, then this is a must have book.

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Enjoy a wide range of dissertations and theses published from graduate schools and universities from around the world. Covering a wide range of academic topics, we are happy to increase overall global access to these works and make them available outside of traditional academic databases. These works are packaged and produced by BiblioLabs under license by ProQuest UMI. The description for these d...

  • Published on: 2012
  • Binding: Paperback
  • 188 pages

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